Three-weeks away, with more details about ‘The Snake King’ songs

I haven’t had this much anticipation for a new CD since this time two years ago when “Rocket Science” was only weeks away. Thanks, Rick Springfield, for making it so fun to be a fan!

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Now that we are three weeks away from the Jan. 26 release date, reviews by those lucky reviewers who have already gotten to hear it are starting to come out. And so far the reviews are GREAT!

One of these reviews, on fabricationshq.com, shares many details about the songs. Thank you, Ross Muir! You’ll want to read it in its entirety, but here’s a breakdown about what we now know about each song, per this review:

Land of the Blind:  “a great big slice of Springsteen-esque, melodic country-meets contemporary rock” with  “a lot going on lyrically.”  Lyric sample: “Cyclops in the White House understands it, keeps everyone snow-blind from the great West Wing; he knows the world’s gonna fry here in the snake pit – it’s the land of the blind, and the one-eyed man is king.” (Some of the lyrics are also available in the preview of the lyric book on sale at pledgemusic.com.)
The Devil That You Know: “a Chicago blues ‘n’ roll number that hollers with blues harmonica and howls with a short, sharp solo”
Little Demon: “a gritty and groovin’ blues that dynamically shifts in its second half to allow Springfield to lay out some expressive (and sadly still underrated) six-string work”

Another review of “Little Demon” on 2loud2oldmusic.com: “All in all, I will give it a 3.5 out 5 stars as I did enjoy the song and I am excited about the new album.  I think we will be in for a treat with this one.  Rick’s output since 2004 has been great and I think he has been getting better with age.”

And on maximumvolumemusic.com: “Of the many delights on this album, Rick’s underrated guitar playing really shines here, perhaps more so than on any other record in his storied catalogue. As for the lyrics? These are possibly not what one would expect either, but we’ll leave it up to you the listener to interpret what is being relayed here.”

In RS’s own words, in an interview with the Long Island Pulse: “I had a riff in my head and built the song around that riff. I needed some lyrics so the sexual angst thing works I think because of the instrumental nature of the song. All these songs are open to interpretation so I will leave the lyric part alone.”

Judas Tree: “12-bar and piano honky-tonk”
Jesus was an Atheist: “big-beat shuffle”
The Snake King: “a foot-tappin’ title track with catchy chorus”
God Don’t Care: “bar-room blues”  with “a serious dose of bluesy venom injected in the lyrics”
The Voodoo House: a “southern and slide guitar affected stomper”
Suicide Manifesto: “rockin'” (some of these lyrics are also on the Pledge Music website)
Blues for the Disillusioned: “AOR-friendly and melodically charged” (AOR is “album-oriented rock)
Santa is an Anagram: “a devil of a funny number in the rockabilly roll”

Orpheus in the Underworld: “a majestic 10-minute Americana country-blues, nods to Bob Dylan, Bruce Springsteen and John Mellencamp at their own, modern Americana best.”

 

More in RS’s own words, about “The Snake King, from a December article in The Oakland Press: Taking on the blues “is something I’ve been thinking about for a long time, and I wrote actually over a weekend, got the basic form for a lot of the songs and what they’d be about. It happened pretty quickly and then I just fiddled with them over the months after that. But it came pretty fast, and it’s basically a theme record, I guess, the first theme record I’ve ever done, based on a character named The Snake King. Sometimes that character is a devil, sometimes it’s God, sometimes it’s me, sometimes it’s just the news.”

In three more weeks, we’ll find out what all this means! Meanwhile, to all of you heading to RS shows this weekend in that crazy cold weather, stay safe and have fun!

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