Coming of age

I recently realized that my oldest son is approaching the age I was when I first became aware of Rick Springfield: 12.

Here’s the first mention of RS in my diary, entered on May 15, 1982, almost exactly 36 years ago from today:

wpid-wp-1440812234359.jpeg

It was just a couple of months after RS debuted on General Hospital (March 25, 1981) and although I don’t remember if I was already watching “General Hospital” at this time, it looks like RS and John Stamos were the only ones in the magazine that rated my three-star “Wow” poster rating.

So far my, son’s main interest is in basketball and although he does like music – some of his favorite are Imagine Dragons, Fall Out Boys and Bruno Mars – he hasn’t gotten to the point where there is any non-sports-related decor on his walls.

This is how my walls looked when I was in my early teens:

cropped-imag0914.jpg

Did my parents think it was odd that I had all these posters of a guy in his 30s all over my wall when I was 13? Or listening to these lyrics?

I get excited
Just thinkin’ what you might be like
I get excited
There’s heaven in your eyes tonight
The fire’s ignited down below
It’s burning bright
Oh baby, stay, we got all night, all night
Baby please, I can’t please
If I’m on my knees tonight

(“I Get Excited” from “Success Hasn’t Spoiled Me Yet” – 1982 – my parents bought me the album for my birthday that year)

Or this from “Inside Sylvia” from “Working Class Dog” – 1981

Inside Silvia, oh Silvia, yeah, yeah, Silvia
I know my love is alive
Inside Silvia, yeah Silvia, oh Silvia, oh

As he’s said himself, most of the songs from WCD and SHSMY are all about lust and sex – did I know that at the time? I think I sensed that they had adult themes, but I was pretty innocent at the time overall so I’m not sure how much I actually understood. But I did recognize his “wow” factor, that’s for sure, and the crush factor was pretty strong.

We made it through the baby stage with our sons, survived the toddler years, and now all of them are in elementary school. After reading “Late, Late at Night,” and getting a glimpse of what puberty can be like for boys (we are all girls in my family), I’m trying to prepare myself for being on the opposite end of the equation (the parent instead of the teen).

Of course things are much different these days – kids have exposure to many more things today then my generation did at this age. And what seems shocking in one generation,  often doesn’t phase the next one at all (such as Elvis “shockingly” shaking his hips on national TV – if those shocked adults would have known what kind of things end up national TV today, they would likely be horrified.) It goes the other way, too, things that were everyday happenstance in previous generations (such as how women and minorities were treated) seem horrifying today (hence, the #metoo movement).

I’m not really sure what my point is here and I’ve probably gone off on a tangent, but what I’m TRYING to say is: How did this happen so fast that I was once a tween (although they didn’t call it that at the time) who innocently listened to Rick Springfield records and had his posters covering my wall and now I’m nearly 50 writing a blog about him and have a son who is almost the age I was when I started being a fan?

If I had to sum it up with one word, I guess I’d have to say, “Wow.”

Advertisements

Suited for the symphony

I know what I’m about to say is going to sound ridiculous, but after watching some of the videos people posted tonight from Rick Springfield performing with the Oregon Symphony, I feel like I am about to burst with pride.

I’m writing this with tears streaming down my face, especially after watching the video of “My Father’s Chair.” Watching RS perform that with a symphony orchestra and then seeing him turn around and face the photo of his father showing on the screen on the back of the stage…. wow.

After hearing about what he went through last year and all the dark emotions and feelings that came out in “The Snake King,” it was incredible to see him performing all of those songs with his band and the symphony and looking like he was enjoying himself so much. I couldn’t help but think that if he had succumbed to his darkness last year that none of this would have happened or the cruise or… anything else.

So although I’m just one of thousands of RS fans sitting on the sidelines and observing the past four years of his life through my smartphone and computer screen, I just want to shout out “I’m so proud of you, RS! Way to go!”

He also performed one of my favorite RS songs from the 1980s: “Souls” (thanks to rsandus for posting these videos!)

Another classic:

From the newest CD, “The Snake King”:

And also this Beatles song:

Karma release: 19 years ago today

Since it’s now after midnight, it’s now April 13, which means its been 19 years since the “Karma” release date (which means that 19 years ago today I met RS for the first time).

cropped-rs3.jpg

This is what I wrote in my journal that day:

When it was my turn, I told him how it was great to meet him. I’ve been a fan for a long time. He said he could tell (I brought “Success Hasn’t Spoiled Me Yet” to sign). I said I’ve been a fan for 25 years. Then I said, I mean 18 and he said, “It’ll be 25 before you know it.”

Well, he was right and now it’s been 37 years. So maybe that’s why I was a little emotional tonight – he’s been a huge part of my life for so many years (although there were gaps of time I lost track of his career) and tonight’s performance felt like another important milestone for him. Plus he was wearing a suit, like he used to in the 1980s, so it may have also been a weird, subconscious reaction to that.

On the ’80s cruise

What an incredible ’80s cruise! Rick Springfield as the host and a long list of performers, such as Thomas Dolby, Loverboy, Mike+ The Mechanics, Lou Gramm from Foreigner, Terri Nunn from Berlin, Billy Ocean and Tommy Tutone.

I wasn’t actually on the cruise, but I enjoyed it vicariously through videos of those who were there. Many RS fans were on the cruise and shared videos in Facebook fan groups and the fabulous Shantelle Bisson her husband Yannik (former co-star of “High Tide” with RS and star of Canada’s “Murdoch Mysteries”) both shared some great behind-the-scenes videos on Instagram (along with some beside-the-scene views, such as clips of RS concerts from the side of the stage.)

The fact that I was able to watch videos taken by people I don’t know who were in the middle of the ocean is pretty incredible. It’s another one of those things that my 13-year-old self would have been thrilled about back in the 1980s. Back then being a RS fan meant taking babysitting gigs so I could watch MTV and possibly see a RS video or interview (we didn’t have cable at home.) Or I’d walk to the neighborhood Revco drug store to see if the latest issue of Teen Beat, Tiger Beat or 16 magazine was out. (For other examples, see “Rick Springfield fandom in the 1980s vs. today.“)

But sitting home watching a video of my favorite rock star performing on a cruise ship in the middle of the ocean the same night it was happening? No way, not in my wildest dreams.

Some of the highlights of the cruise (from my limited view 2,400 miles away) were:

  • The piano bar when RS and Thomas Dolby were playing The Cure’s “Just Like Heaven.”
  • The Mark Goodman and RS Q&A session
  • Videos of the band hanging out singing in one of the cabins
  • RS singing “Waiting for a Girl Like You” (watching that brought out my inner teen giddiness, for sure)
  • Watching RS perform so many great songs with all those other talented performers and seeing him have such a great time

I’m sure there were many more highlights from people who were actually there so check out the Facebook fan pages. If I can find any videos to share from YouTube, I’ll post at a later date.

Next year’s lineup looks fun, too, especially the English Beat. I was a big fan in high school and I saw them once in this little bar in Tempe where I danced on the same dance floor as Dave Wakeling. But this year’s cruise, with Rick Springfield as host, would be hard to beat.

I love the 80s

‘The Snake King’ tour – and a new video

Rick Springfield’s “Snake King” tour is now under way – last weekend, the drum skin with the cute chimpanzee from “Rocket Science” came off Jorge’s drum set and was replaced by the cool logo from the cover of “The Snake King.”

And now some songs from “The Snake King” are part of the set list. Here are two videos I found on YouTube from last weekend:

“The Devil That You Know”

“Little Demon”

Recent interviews about ‘The Snake King’

There have also been several interviews lately that divulge more about “The Snake King.”

Guitar World

Rick Springfield on Covering Katy Perry, the “Jessie’s Girl” Strat and His Bluesy New Album, ‘The Snake King’

This one reminded me that I was at the show where he first introduced Taylor Swift’s “Shake it Off” to the set list. (I’m pretty sure it was the first time because I remember being surprised about it and it seemed others were, too.) The article also mentions again that he wrote “The Snake King” in four or five days and he’s currently working on the sequel to “Magnificent Vibration.” He answers several questions from fans.

Salon

Rick Springfield: From “Jessie’s Girl” to “God, the devil and sexThe pop idol on why hitting it big at 30 was better, learning humility and, of course, “Gary’s Girl.”

This is a great article that focuses on RS’s many accomplishments. (And what a lucky guy this author is – this interview was over “soba noodles and green tea” – aka “in person” rather than over the phone or via email. On second thought, I don’t think I could sit there in front of Rick Springfield and eat noodles, it would be a little awkward. The green tea would probably be OK, though.)

Anyway, there are a lot of interesting details in this article.

Melodicrock.com

Rick Springfield Talks Influences Behind ‘The Snake King‘: Here’s another great RS interview by Melodic Rock. Here we learn more about the influences behind the new CD, as well as learn that he was drunk when he wrote much of it and that the overall theme is “WTF is going on???” (Note: If you are wondering what that means, take a look at today’s news. And by “today” I mean that there’s probably something in the news on any day that will make you say “WTF is going on???”). We also learn about what he would ideally like to do next: “I want to be in a great and creative night time TV series so that touring can be a seasonal thing.”

He is also on the cover of the Melodic Rock Fanzine.

Melodic Rock pic

The Herald Palladium 

Rick Springfield takes blues detour on new album: We’ve come a long way from those preview articles from four years ago that would say things like “80s icon ‘Jessie’s Girl’ soap star singer to play in town next week.” Thank goodness. This article touches upon many of RS’s accomplishments and contains some real substance like about RS’s writing process and details about the new songs.

Myglobalmind.com

This review of “The Snake King” is on an online magazine for hard rock and heavy metal. Do you hear that, Rock and Roll Hall of Fame judges? RS has fans from so many generations and in so many genres. Let’s plan for 2019, OK?

‘The Snake King’ slithers through your speakers like a honky-tonk cocktail consisting of good time boogie-woogie, with a heavy splash of heavenly blues ….. keep rocking n rolling buddy, we are right with ya!

Where to find everything before ‘The Snake King’

I just wanted to take a quick moment to thank the Rick Springfield and Us fan-based website for all things Rick Springfield for adding a link to this blog on the site. It is truly an honor to have a mention there on the comprehensive site of all things Rick Springfield. (Seriously, there is so much about RS on that site, it is so awesome. His music library, lyrics, tour datesTV and film roles, bio of his lifebooks, video footage,  lots and lots of pictures and so much more.) I wonder if RS used the site as a reference when he wrote his autobiography?

I suppose I should also mention the official RS page, too: rickspringfield.com, which has a list of all the upcoming full-band shows, Stripped Down acoustic shows and symphony shows (coming up in Portland and Nashville), as well as next month’s ’80s cruise.

And then there’s the latest news of the evening: Another new video – for “Voodoo House,” which is one of my favorite songs off “The Snake King.” It makes my heart go boom. (See the RS fan site for lyrics if you don’t have a copy of the CD.)

Hey ya, hey ya, ooh.

The aftermath of ‘The Snake King’

Rick Springfield has been busy since the release of “The Snake King” two weeks ago today. He continues his tour tonight after a few weeks of heavy-duty CD promotion. Here are some recent interviews:

On the “Steve Harvey” show:

Here’s a rather intense, in-depth, almost-an-hour-long interview with Rock Cellar TV . This great interview is by author Ken Sharp, a singer-songwriter whose most recent CD features RS on a couple of songs:

And, here he is surprising elevator riders playing in an elevator with Harry Connick, Jr.:

Wouldn’t that be a nice surprise to experience this type of elevator music as you’re headed to work? Once my husband and I rode in an elevator with Siggy (bassist in RS’s band), but that’s really the only cool elevator story I have.

RS visited the Jimmy Kimmel Show to sit in with the band. This didn’t air, but audience members got this treat and now we can see it, too, thanks to YouTube. The band members look like they’re having fun.

There were also some more great reviews, such as this one on maximumvolumemusic.com:

That all might give you the clue that this isn’t the record you might be expecting from a singer at this stage of his career. Expectations be damned it seems to say. This is very clearly a record that Springfield needed to make. And, if like me, you were only aware of Rick Springfield in the very broadest of terms before now, start here. Get yourself in the snake pit, because there is a very real possibility that “The Snake King” is the album of the year so far. Now, if you’ll excuse me, I’ve got a back catalogue to check out.

A review from hardrockhaven.net says “The Snake King” is “Rick Springfield peeling back the flesh to lay bare his bones and it’s already making its claim as 2018’s best album” and is “going to surprise fans, the critics, pretty much everyone.”

How’s everybody else enjoying “The Snake King”?

I think it’s some of his best work ever and although I haven’t been listening to it on a loop as I did with “Rocket Science” because of its intensity (lately I’ve been in a mindset where I need positive, inspirational Napoleon Hill-esque input), the more I learn about the CD, the more fascinating it is, both lyrically and with his process. He has said in interviews that he basically wrote all the songs in one weekend and then spent time afterward developing them. That’s amazing talent. There are so many dynamics to it: a questioning of faith, the idea that the world has shifted into a primarily evil realm, where is G-d amidst all this evil, what are we doing to our planet, our country’s leadership, etc.

The idea that the songs seem to come from different viewpoints is an interesting one – some songs from the devil, some from a human (RS). The lyrics are incredible and although they are so intense and painful, the music is catchy and I find myself singing certain parts, primarily from “The Voodoo House” and “Blues for the Disillusioned.”

I feel like I’m using the word “intense” a lot in this post, but it’s the word that keeps coming to mind. For those fans who only connect RS to his 1970s or 1980s songs, it will be a shock to the system trying to reconcile their image of RS and what he divulges in this CD. (Though if they read “Late, Late at Night” and “Magnificent Vibration,” it shouldn’t come as much of a surprise.)

Since the lyrics are so dark on “The Snake King,” that’s come up in conversation in many of these recent interviews, which has led to much discussion on depression. Specifically RS’s depression and how writing this album was a way to purge so many of those negative emotions that consume him.

It’s gotten me thinking about the flow of darkness and light in the world. There’s a lot of darkness happening with the way people treat each other and animals and the earth, yet there’s so much light, too. When the world gets darker, sometimes it propels people to be more determined to spread the light.

“The Snake King” deals with some difficult topics that may offend some fans, because religion is such a sensitive topic, but RS is an artist who deals with his troubles by writing. By sharing his depressing thoughts, he’s bringing comfort to those who may be experiencing similar feelings, thus spreading light that originated from darkness. And the album’s content is a keen observation, as there are many awful things happening right now. People attacking each other online and in person, crazy weather destroying people’s homes, wars, illness, terrorist attacks, etc. And our government keeps shutting down, that’s not a good sign.

RS could have written “The Snake King” songs then decided not to release them, but he chose to put them out there. As he says in the Ken Sharp interview, he would likely have still been writing music even if he didn’t do it as a career. Fortunately for RS fans, he still chooses to share his creations and the tour continues tonight.

When the game is done, the king and pawn go into the same wood box.

‘Snake King’ on the charts

Mr. Rick Springfield is back on the charts, this time with “The Snake King”!!

I’m not really clear on how the Billboard charts work, but I thought the new charts come out on Tuesdays so when it was midnight on the East Coast, I thought I’d take a look and there it was!

Here’s what I found:

Independent Albums

“The Snake King” peaked at #8 on Feb. 10 (I know today is Feb. 5, I don’t get it either, but that’s what it says.)

 

SnakeKingBillboard

Top Rock Albums

Peaked at #38 on Feb. 10

SnakeKingTopRock

Top Album Sales

Peaked at #40 on Feb. 10

SnakeKingTopAlbum

Whoo-hoo! Not bad for an album that was written over one weekend!

How does an artist get their song on the Billboard charts? Here’s Billboard’s answer:

How does an artist get their music on the Billboard charts?

Billboard publishes a host of charts that are individually or collectively based on key fan interactions with music, including album sales and downloads, track downloads, radio airplay and touring as well as streaming and social interactions on Facebook, Twitter, Vevo, Youtube, Spotify and other popular online destinations for music. These measurements are tracked year-round by Billboard and its data partners, including Nielsen BDS, Nielsen SoundScan and Next Big Sound. In order for artists and title to chart in Billboard, they must be among the higher ranked performers among the specific metric used to compile the chart. Specific methodologies can be found on each chart page on billboard.com and on the Chart Legend reference page on billboard.biz.

For past posts about RS on the charts, see “On the Charts” and “20 songs on the Hot 100 chart.”

The big day

Today’s the day: The release of “The Snake King.” With Rick Springfield being everywhere on my news feeds, it feels like the whole world should be aware of this by now. Between the live feed at the Grammy Museum and all the interviews, it’s been a fun few days! Tonight’s the launch party release. What a great way to celebrate Australia Day!

Here’s the new video for “Land of the Blind,” which was also released today:

Update later tonight:

Yay, got to go to the CD release party after all, thanks to a live-stream on Facebook of the performance! The songs sound SO great live. Such an incredible band. And that saxophone, wow! 🐍👑

First impression of ‘The Snake King’

Wow, I wasn’t expecting to be able to hear the whole CD today so it was a nice surprise that it premiered on Billboard.com this morning. I had to get through my list of things to do for work before I could sit down with this. I didn’t want to just stick it on in the background, but wanted to really listen. Here are my first impressions of the songs.

(Not that I think anyone really cares what my first impressions are or that they really matter to anyone but since this blog is like my journal of all things Rick Springfield, I am recording them here.)

In the Land of the Blind: Hi, Matty (the voice at the beginning, I’m pretty sure). Great start to the album. Has a catchy, upbeat vibe. I liked it the first time I heard him play it last week and I still like it. I like the ooh- la-la-las. Interesting concept about how the one-eyed man is king in the land of the blind. From a previous post: “In the Land of the Blind, the one-eyed man is king” is a quote attributed to Desiderius Erasmus, a Dutch philosopher, humanist and theologian and is explained online as “If surrounded by people less capable or able, someone who would not normally be considered special can shine.”

The Devil That You Know: Here’s the “I know what you want’ phrase from the guitar pics thrown out in the audience last year. Another really catchy tune, makes me feel like dancing. Biblical references, I can’t wait until I get the lyric sheet so I can look at the lyrics more carefully.

Little Demon: Such a familiar song already. Incredible guitar. As I said in a previous post, it sounds like another unrequited love/lust song but who is it about? We may likely never know because he said in interviews that he doesn’t know. I especially like the second part of the song, it’s so expressive and beautiful. I picture driving out on an open road in the desert. Not sure yet about what the “Hey, guess whose got a new boyfriend” at the end and the devil’s roar is about. Is it that the devil is popular with the ladies because they don’t know who he really is?

Judas Tree: One song after another sounds SO good musically. This sounds the most like the blues to me so far. These lyrics are pretty disturbing, very graphic. I don’t think I’ll be singing along to this one.

Jesus was an Atheist: This song we’ve heard live before over the past week so it’s interesting with all these added sounds. I think it’s an interesting approach to have it written with the viewpoint of someone who was a friend of Jesus. Did people consider him a “son of G-d” during his life or was it only after he died? I don’t know. I’m not Christian, but I thought he was raised Jewish, which the reference in the song alludes to (“in Temple back in Roman Palestine”). It made me think of a person who becomes famous and their childhood friends are like “Oh him? What’s the big deal?” because they knew him or her as a kid. Of course when you add religion to the mix though, it’s a much more sensitive issue.

cropped-doo-b7sw0aa2fmn.jpg

The Snake King: There’s the roar again. This song has a similar sound to “Miss Mayhem”on “Rocket Science.” Maybe “The Snake King” can be turned into a rock opera similar to The Who’s “Tommy.” This song is where they introduce the main character, “The Snake King.” RS is performing with a symphony orchestra these days so maybe a rock opera is next? Since he has experience both with EFX and as portraying Lucifer, he can star in it.

G-d Don’t Care: The opening sounds like the sound from a concert. He’s said in interviews that he often wonders where G-d is these days with all these horrible things happening in the world. The song also reflects some childhood experiences of “Little Ricky.” A very sad song. Hopefully he won’t ask fans to sing out loud if he plays this in concert like he did for “I Hate Myself.” This song definitely fits into the rock opera idea because this would be the devil singing to the masses.

The Voodoo House: These sounds before all the songs definitely give it a very theatrical feeling. I really like this song, such great sounds and so catchy. That Rick Springfield, he sure has great hooks. As I mentioned in a previous post, it sounds like another unrequited love/lust song, but this time addressing it with a voodoo doll concept. I like the hey-ya-hey-ya-ho hey-ya-hey-ya-ho’s.

Suicide Manifesto: This song had a physical effect on me – I literally felt heavy and drained after listening to it. It’s heartbreaking that he feels that way and that so many experience these feelings. It made me think of my sons and pray that they will never have those feelings.

Blues for the Disillusioned: Still reeling from the previous song so these lyrics sound really cynical and depressing. But what incredible lyrics. It’s hard to get it all at the first listen, but lots going on here, both lyrically and musically.

Santa is an Anagram: Now I can see why this song was placed here for comedic relief. A Chuck Berry sound with a Lucifer perspective.

Orpheus in the Underworld: This song, more than 10 minutes long, has a Bob Dylan vibe to it, with the sound, length and lyrics. Although it’s difficult to process all that’s happening here on the first listen, I look forward to delving deeper into this one, too.

So there you have it, “The Snake King.” So impressive, RS. WOW. Glad you’re getting so much great recognition for this one. I’m looking forward to learning what other fans think about it, too.

Here’s the link to “Rick Springfield shares provocative blues album” (exclusive premiere)

(There was also a great podcast that went live today: “Rock Solid” with Pat Francis – a great in-depth interview by a big RS fan.)

Stop everything, it’s a live feed from the Grammy Museum

What a great night!!! OK, so the kids fought a lot and the bedtime routine sucked but the evening ended with a live (Facebook livestream) Rick Springfield interview/concert at The Grammy Museum.

Thank you, thank you, thank you to whoever coordinated that live feed. It’s been about 18 months since I was at a RS concert and this was almost like being there. (I was inside the museum in November last year and looked at the door of the theater at the museum and wondered if RS would ever play there, so it’s a same place/wrong time situation).

So many thoughts rushing around in my head that I may not make any sense, but here goes:

I can’t wait to hear “The Snake King” in its entirety. Tonight he played “Little Demon,” which I’ve already listened to countless times; “Land of the Blind” which sounds great; and “The Voodoo House,” which is my favorite so far. It’s funny that he says he doesn’t really know what they’re about. Is that true? I know that when I write songs, they kind of develop as they go and there’s often not an intentional planning so I get what he’s saying about songs writing themselves, but does he really not know or does he just want people to interpret them on their own? (Or does he just not want to repeat the same story over and over again in future interviews like he does with “Jessie’s Girl”?) Here are my guesses: “Little Demon” – unrequited love (or lust). “The Voodoo House” – unrequited love (or lust) and attempting to fulfill it through use of a voodoo doll? Maybe? “Land of the Blind” – no clue, but there are some biblical references there to explore. I’m glad that there’s a lyric book available.

I love how candid he is in his interviews. Not planned and polished, just goes with it and doesn’t seem to care about what people may think about what he thinks of things. It was true in his autobiography and it continues today in interviews. In a world of Photoshop and filters, it’s refreshing to have someone be so real. And it’s not unfiltered in a mean way, like anonymous comments on an online newspaper article or a rude tweet – it’s unfiltered but in a way that makes him still seem like a good guy. Plus he has such a great sense of humor.

Little things like him dropping his guitar pick during the interview in the Pulse Studio and needing to tune his guitar tonight and during an earlier interview are endearing. I go to these song workshops where you bring a song you’re working on and you receive feedback from professional songwriters. Until recently I would bring a CD that I recorded at home because I worried that if I played it live I might forget the chords or the words or drop my guitar pic or have to tune my guitar at the last minute. But now that I’ve seen RS do all of these things – and he’s a pro – then it makes those things less of a big deal. I find the whole story of his career so inspiring, all the ups and downs and how he persevered through it all. I’m glad that his stained glass master career path idea didn’t work out.

I think listening to “Suicide Manifesto” is going to be really, really difficult, knowing that’s how he sometimes feels. I also think it will be important to listen to it to be able to understand how people who are going through depression may feel.

It was interesting to see all the comments on the live stream and to see how so many people feel connected to him. When I was reading the comments as they scrolled by, I realized once again how much about his life is imprinted in my brain. It’s still weird to me that he was such a big part of my teen life (music, concerts, teen magazine articles, posters, diary entries) then totally out of it for more than a decade, besides turning up his songs when I heard them on the radio and then nothing until 1998. Then after 2000 (after four concerts in those three years and one meet-and-greet at a record store), nothing again until 2014. Totally oblivious to all his new music, interviews, etc. for 14 years then BAM, all of a sudden I’m aware of his daily schedule. (As far as touring and promotional interviews, that is.)

How lucky are RS fans that he keeps putting out such great music and that he’s such an incredible songwriter and guitarist? It’s not the first time his songs have had dark undertones (“Misty Water Woman,” “I Hate Myself,” “Shock/Denial/Anger/Acceptance”) – they’ve been there throughout his career. I think if “The Snake King” would have followed “Success Hasn’t Spoiled Me Yet,” it would have been more of a shock for ’80s fans, but we’re all grown-ups now. We’ve all seen examples of how devastating life can be and oftentimes creative expression comes from pain. And he has been very open about what goes on in his head. As he mentioned in interviews, taking that pain and anger and expressing it creatively is what helps him get through it. Each time he releases a new CD, he’s exposing a personal part of him to the world, just as most artists do, and I appreciate that he is able to transform those feelings into songs. I think true artists don’t create based on what they think people want, they create because it’s something they have to do. Their fans are fans because they enjoy what the artist does and they might not love everything that comes out of the creative process, but the creative process is not a service industry and shouldn’t be based on what a consumer wants.

(Click here for the video.)