Rock star in overdrive: So many things to look forward to!

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When I started this blog nearly four years ago, I had no idea what I was going to do with it. More than anything, it was meant to be a way to avoid talking endlessly about my re-discovery of Rick Springfield with my husband and co-workers.

I was so excited to learn that RS was still creating new music and had written books, that I dived right into exploring all of it – along with my teenage fandom years – and this blog gave me a place to share it with (I hoped) others who felt the same way and would find it entertaining instead of annoying.

(Nobody in my real life actually told me I was being annoying, but I started to sense their frozen smile and glazed look if I talked too much about RS so I had to rein it in.)

At the time I had NO idea what a driven person RS was and didn’t know that there was so much more on its way. I thought it was cool that he had released a few albums since “Karma,” which was the last time I had followed his career (between 1998 and 2000, I saw him in concert four times and met him once. That was in addition to seeing him twice in high school back in the ’80s.)

Here’s a recap of his musical work between 2000 and my “re-discovery” in 2014:

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2004: “Shock/denial/anger/acceptance” (So many good songs, which I enjoyed only after getting over the reason they were written, since I first heard this CD after reading “Late, Late at Night”)

2005: “The Day After Yesterday” (I still haven’t heard this CD of covers in its entirety)

2007: “Christmas With You” (which I still haven’t heard, except for the song for the soldiers.)

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2008: “Venus in Overdrive” (which has become one of my favorite CDs)

2009: “My Precious Little One: Lullabies for a New Generation” (Played it for my kids a few times when they were younger and they always fell asleep by the second or third song, and I mean that as a compliment)

2012: “Songs for the End of the World” – so many great songs, I especially love listening to this while driving, for some reason. I think because the first time I heard it was when I was driving my kids to school and it was so funny to hear their reactions.

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In 2014, I had all of this to catch up on and I also read “Late, Late at Night” and “Magnificent Vibration” right away, then listened to “Late, Late at Night” on audiobook. Then I caught up on some of his acting stints, like “Californication” and “Drop Dead Diva.”

Then a few months later, in November 2014, it was announced that RS would be coming to Arizona and I got tickets to my first RS concert in 15 years! So of course I had to go and then ended up meeting him briefly that March after the concert. Then I saw him a few more times over the next couple of years.

But I digress, this post wasn’t meant to be about me and my RS concerts, it’s about the driven rock star. So back to that.

In January 2015, he announced that he was back in the studio recording a new album! That year the live “Stripped Down” show also came out on CD and DVD. The country-infused “Rocket Science” was released the following February. In 2015 and 2016, he was touring with both the full-band show and the solo acoustic show. In 2017, he added a symphony tour – with Rock Meets Classic in Europe. Fans even got to watch the live stream of a show in Germany, which was cool!

Among all his touring, he also wrote and recorded another CD, blues-infused this time, “The Snake King,” which was released in January of this year. This year, he had acoustic shows, full-band shows and symphony shows. (There has also been a movie and several TV roles in the past four years.) Which means there are lots of interviews, photos and videos out there in Cyberspace, including this Morning Mix interview, where RS goes into detail about the symphony shows, which was fun to hear, and we get to learn about MORE upcoming projects (such as this in Fairfax County Times):

Once the tour is over, the singer will be back to his many ventures. He’s working on a rewrite of a follow up to “Magnificent Vibration,” and he’s recording a symphonic record with his best hits and a 40-piece orchestra.

“There will be a new song on that album, and it is light years away from ‘The Snake King,’” he said. “Also, we are rerecording all the hits as they originally sounded so we can put out our own greatest hits. And I am writing for a new record and looking for that next great acting gig.”

A new song! A new Greatest Hits album! New songs for another new record! A new book! So many exclamation point-worthy things on the brink of happening! Also, on July 25 will be the “Sideswiped” show on YouTube.

(Just a reminder to those who handle the fan club – maybe we can get more details about all this stuff there in Rick’s Diary? That would be a nice fan club perk, along with the Meet & Greet contests, which don’t exist yet, but it sure would be nice… Or maybe we all get a chance to sing a duet with RS at a beach-side bar?)

Anyway, see what I mean when I say I can ramble on about RS? But if you’re still reading this, then I’m guessing that you understand so thanks for reading.

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Coming of age

I recently realized that my oldest son is approaching the age I was when I first became aware of Rick Springfield: 12.

Here’s the first mention of RS in my diary, entered on May 15, 1982, almost exactly 36 years ago from today:

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It was just a couple of months after RS debuted on General Hospital (March 25, 1981) and although I don’t remember if I was already watching “General Hospital” at this time, it looks like RS and John Stamos were the only ones in the magazine that rated my three-star “Wow” poster rating.

So far my, son’s main interest is in basketball and although he does like music – some of his favorite are Imagine Dragons, Fall Out Boys and Bruno Mars – he hasn’t gotten to the point where there is any non-sports-related decor on his walls.

This is how my walls looked when I was in my early teens:

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Did my parents think it was odd that I had all these posters of a guy in his 30s all over my wall when I was 13? Or listening to these lyrics?

I get excited
Just thinkin’ what you might be like
I get excited
There’s heaven in your eyes tonight
The fire’s ignited down below
It’s burning bright
Oh baby, stay, we got all night, all night
Baby please, I can’t please
If I’m on my knees tonight

(“I Get Excited” from “Success Hasn’t Spoiled Me Yet” – 1982 – my parents bought me the album for my birthday that year)

Or this from “Inside Sylvia” from “Working Class Dog” – 1981

Inside Silvia, oh Silvia, yeah, yeah, Silvia
I know my love is alive
Inside Silvia, yeah Silvia, oh Silvia, oh

(I know he has said that his relationship with Sylvia was not of a sexual nature, but still, those lyrics…)

As he’s said himself, most of the songs from WCD and SHSMY are all about lust and sex – did I know that at the time? I think I sensed that they had adult themes, but I was pretty innocent at the time overall so I’m not sure how much I actually understood. But I did recognize his “wow” factor, that’s for sure, and the crush factor was pretty strong.

We made it through the baby stage with our sons, survived the toddler years, and now all of them are in elementary school. After reading “Late, Late at Night,” and getting a glimpse of what puberty can be like for boys (we are all girls in my family), I’m trying to prepare myself for being on the opposite end of the equation (the parent instead of the teen).

Of course things are much different these days – kids have exposure to many more things today then my generation did at this age. And what seems shocking in one generation, often doesn’t phase the next one at all (such as Elvis “shockingly” shaking his hips on national TV – if those shocked adults would have known what kind of things end up national TV today, they would likely be horrified.) It goes the other way, too, things that were everyday happenstance in previous generations (such as how women and minorities were treated) seem horrifying today (hence, the #metoo movement).

I’m not really sure what my point is here and I’ve probably gone off on a tangent, but what I’m TRYING to say is: How did this happen so fast that I was once a tween (although they didn’t call it that at the time) who innocently listened to Rick Springfield records and had his posters covering my wall and now I’m nearly 50 writing a blog about him and have a son who is almost the age I was when I started being a fan?

If I had to sum it up with one word, I guess I’d have to say, “Wow.”

Suited for the symphony

I know what I’m about to say is going to sound ridiculous, but after watching some of the videos people posted tonight from Rick Springfield performing with the Oregon Symphony, I feel like I am about to burst with pride.

I’m writing this with tears streaming down my face, especially after watching the video of “My Father’s Chair.” Watching RS perform that with a symphony orchestra and then seeing him turn around and face the photo of his father showing on the screen on the back of the stage…. wow.

After hearing about what he went through last year and all the dark emotions and feelings that came out in “The Snake King,” it was incredible to see him performing all of those songs with his band and the symphony and looking like he was enjoying himself so much. I couldn’t help but think that if he had succumbed to his darkness last year that none of this would have happened or the cruise or… anything else.

So although I’m just one of thousands of RS fans sitting on the sidelines and observing the past four years of his life through my smartphone and computer screen, I just want to shout out “I’m so proud of you, RS! Way to go!”

He also performed one of my favorite RS songs from the 1980s: “Souls” (thanks to rsandus for posting these videos!)

Another classic:

From the newest CD, “The Snake King”:

And also this Beatles song:

Karma release: 19 years ago today

Since it’s now after midnight, it’s now April 13, which means its been 19 years since the “Karma” release date (which means that 19 years ago today I met RS for the first time).

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This is what I wrote in my journal that day:

When it was my turn, I told him how it was great to meet him. I’ve been a fan for a long time. He said he could tell (I brought “Success Hasn’t Spoiled Me Yet” to sign). I said I’ve been a fan for 25 years. Then I said, I mean 18 and he said, “It’ll be 25 before you know it.”

Well, he was right and now it’s been 37 years. So maybe that’s why I was a little emotional tonight – he’s been a huge part of my life for so many years (although there were gaps of time I lost track of his career) and tonight’s performance felt like another important milestone for him. Plus he was wearing a suit, like he used to in the 1980s, so it may have also been a weird, subconscious reaction to that.

On the ’80s cruise

What an incredible ’80s cruise! Rick Springfield as the host and a long list of performers, such as Thomas Dolby, Loverboy, Mike+ The Mechanics, Lou Gramm from Foreigner, Terri Nunn from Berlin, Billy Ocean and Tommy Tutone.

I wasn’t actually on the cruise, but I enjoyed it vicariously through videos of those who were there. Many RS fans were on the cruise and shared videos in Facebook fan groups and the fabulous Shantelle Bisson her husband Yannik (former co-star of “High Tide” with RS and star of Canada’s “Murdoch Mysteries”) both shared some great behind-the-scenes videos on Instagram (along with some beside-the-scene views, such as clips of RS concerts from the side of the stage.)

The fact that I was able to watch videos taken by people I don’t know who were in the middle of the ocean is pretty incredible. It’s another one of those things that my 13-year-old self would have been thrilled about back in the 1980s. Back then being a RS fan meant taking babysitting gigs so I could watch MTV and possibly see a RS video or interview (we didn’t have cable at home.) Or I’d walk to the neighborhood Revco drug store to see if the latest issue of Teen Beat, Tiger Beat or 16 magazine was out. (For other examples, see “Rick Springfield fandom in the 1980s vs. today.“)

But sitting home watching a video of my favorite rock star performing on a cruise ship in the middle of the ocean the same night it was happening? No way, not in my wildest dreams.

Some of the highlights of the cruise (from my limited view 2,400 miles away) were:

  • The piano bar when RS and Thomas Dolby were playing The Cure’s “Just Like Heaven.”
  • The Mark Goodman and RS Q&A session
  • Videos of the band hanging out singing in one of the cabins
  • RS singing “Waiting for a Girl Like You” (watching that brought out my inner teen giddiness, for sure)
  • Watching RS perform so many great songs with all those other talented performers and seeing him have such a great time

I’m sure there were many more highlights from people who were actually there so check out the Facebook fan pages. If I can find any videos to share from YouTube, I’ll post at a later date.

Next year’s lineup looks fun, too, especially the English Beat. I was a big fan in high school and I saw them once in this little bar in Tempe where I danced on the same dance floor as Dave Wakeling. But this year’s cruise, with Rick Springfield as host, would be hard to beat.

I love the 80s

‘The Snake King’ tour – and a new video

Rick Springfield’s “Snake King” tour is now under way – last weekend, the drum skin with the cute chimpanzee from “Rocket Science” came off Jorge’s drum set and was replaced by the cool logo from the cover of “The Snake King.”

And now some songs from “The Snake King” are part of the set list. Here are two videos I found on YouTube from last weekend:

“The Devil That You Know”

“Little Demon”

Recent interviews about ‘The Snake King’

There have also been several interviews lately that divulge more about “The Snake King.”

Guitar World

Rick Springfield on Covering Katy Perry, the “Jessie’s Girl” Strat and His Bluesy New Album, ‘The Snake King’

This one reminded me that I was at the show where he first introduced Taylor Swift’s “Shake it Off” to the set list. (I’m pretty sure it was the first time because I remember being surprised about it and it seemed others were, too.) The article also mentions again that he wrote “The Snake King” in four or five days and he’s currently working on the sequel to “Magnificent Vibration.” He answers several questions from fans.

Salon

Rick Springfield: From “Jessie’s Girl” to “God, the devil and sexThe pop idol on why hitting it big at 30 was better, learning humility and, of course, “Gary’s Girl.”

This is a great article that focuses on RS’s many accomplishments. (And what a lucky guy this author is – this interview was over “soba noodles and green tea” – aka “in person” rather than over the phone or via email. On second thought, I don’t think I could sit there in front of Rick Springfield and eat noodles, it would be a little awkward. The green tea would probably be OK, though.)

Anyway, there are a lot of interesting details in this article.

Melodicrock.com

Rick Springfield Talks Influences Behind ‘The Snake King‘: Here’s another great RS interview by Melodic Rock. Here we learn more about the influences behind the new CD, as well as learn that he was drunk when he wrote much of it and that the overall theme is “WTF is going on???” (Note: If you are wondering what that means, take a look at today’s news. And by “today” I mean that there’s probably something in the news on any day that will make you say “WTF is going on???”). We also learn about what he would ideally like to do next: “I want to be in a great and creative night time TV series so that touring can be a seasonal thing.”

He is also on the cover of the Melodic Rock Fanzine.

Melodic Rock pic

The Herald Palladium 

Rick Springfield takes blues detour on new album: We’ve come a long way from those preview articles from four years ago that would say things like “80s icon ‘Jessie’s Girl’ soap star singer to play in town next week.” Thank goodness. This article touches upon many of RS’s accomplishments and contains some real substance like about RS’s writing process and details about the new songs.

Myglobalmind.com

This review of “The Snake King” is on an online magazine for hard rock and heavy metal. Do you hear that, Rock and Roll Hall of Fame judges? RS has fans from so many generations and in so many genres. Let’s plan for 2019, OK?

‘The Snake King’ slithers through your speakers like a honky-tonk cocktail consisting of good time boogie-woogie, with a heavy splash of heavenly blues ….. keep rocking n rolling buddy, we are right with ya!

Where to find everything before ‘The Snake King’

I just wanted to take a quick moment to thank the Rick Springfield and Us fan-based website for all things Rick Springfield for adding a link to this blog on the site. It is truly an honor to have a mention there on the comprehensive site of all things Rick Springfield. (Seriously, there is so much about RS on that site, it is so awesome. His music library, lyrics, tour datesTV and film roles, bio of his lifebooks, video footage,  lots and lots of pictures and so much more.) I wonder if RS used the site as a reference when he wrote his autobiography?

I suppose I should also mention the official RS page, too: rickspringfield.com, which has a list of all the upcoming full-band shows, Stripped Down acoustic shows and symphony shows (coming up in Portland and Nashville), as well as next month’s ’80s cruise.

And then there’s the latest news of the evening: Another new video – for “Voodoo House,” which is one of my favorite songs off “The Snake King.” It makes my heart go boom. (See the RS fan site for lyrics if you don’t have a copy of the CD.)

Hey ya, hey ya, ooh.

The aftermath of ‘The Snake King’

Rick Springfield has been busy since the release of “The Snake King” two weeks ago today. He continues his tour tonight after a few weeks of heavy-duty CD promotion. Here are some recent interviews:

On the “Steve Harvey” show:

Here’s a rather intense, in-depth, almost-an-hour-long interview with Rock Cellar TV . This great interview is by author Ken Sharp, a singer-songwriter whose most recent CD features RS on a couple of songs:

And, here he is surprising elevator riders playing in an elevator with Harry Connick, Jr.:

Wouldn’t that be a nice surprise to experience this type of elevator music as you’re headed to work? Once my husband and I rode in an elevator with Siggy (bassist in RS’s band), but that’s really the only cool elevator story I have.

RS visited the Jimmy Kimmel Show to sit in with the band. This didn’t air, but audience members got this treat and now we can see it, too, thanks to YouTube. The band members look like they’re having fun.

There were also some more great reviews, such as this one on maximumvolumemusic.com:

That all might give you the clue that this isn’t the record you might be expecting from a singer at this stage of his career. Expectations be damned it seems to say. This is very clearly a record that Springfield needed to make. And, if like me, you were only aware of Rick Springfield in the very broadest of terms before now, start here. Get yourself in the snake pit, because there is a very real possibility that “The Snake King” is the album of the year so far. Now, if you’ll excuse me, I’ve got a back catalogue to check out.

A review from hardrockhaven.net says “The Snake King” is “Rick Springfield peeling back the flesh to lay bare his bones and it’s already making its claim as 2018’s best album” and is “going to surprise fans, the critics, pretty much everyone.”

How’s everybody else enjoying “The Snake King”?

I think it’s some of his best work ever and although I haven’t been listening to it on a loop as I did with “Rocket Science” because of its intensity (lately I’ve been in a mindset where I need positive, inspirational Napoleon Hill-esque input), the more I learn about the CD, the more fascinating it is, both lyrically and with his process. He has said in interviews that he basically wrote all the songs in one weekend and then spent time afterward developing them. That’s amazing talent. There are so many dynamics to it: a questioning of faith, the idea that the world has shifted into a primarily evil realm, where is G-d amidst all this evil, what are we doing to our planet, our country’s leadership, etc.

The idea that the songs seem to come from different viewpoints is an interesting one – some songs from the devil, some from a human (RS). The lyrics are incredible and although they are so intense and painful, the music is catchy and I find myself singing certain parts, primarily from “The Voodoo House” and “Blues for the Disillusioned.”

I feel like I’m using the word “intense” a lot in this post, but it’s the word that keeps coming to mind. For those fans who only connect RS to his 1970s or 1980s songs, it will be a shock to the system trying to reconcile their image of RS and what he divulges in this CD. (Though if they read “Late, Late at Night” and “Magnificent Vibration,” it shouldn’t come as much of a surprise.)

Since the lyrics are so dark on “The Snake King,” that’s come up in conversation in many of these recent interviews, which has led to much discussion on depression. Specifically RS’s depression and how writing this album was a way to purge so many of those negative emotions that consume him.

It’s gotten me thinking about the flow of darkness and light in the world. There’s a lot of darkness happening with the way people treat each other and animals and the earth, yet there’s so much light, too. When the world gets darker, sometimes it propels people to be more determined to spread the light.

“The Snake King” deals with some difficult topics that may offend some fans, because religion is such a sensitive topic, but RS is an artist who deals with his troubles by writing. By sharing his depressing thoughts, he’s bringing comfort to those who may be experiencing similar feelings, thus spreading light that originated from darkness. And the album’s content is a keen observation, as there are many awful things happening right now. People attacking each other online and in person, crazy weather destroying people’s homes, wars, illness, terrorist attacks, etc. And our government keeps shutting down, that’s not a good sign.

RS could have written “The Snake King” songs then decided not to release them, but he chose to put them out there. As he says in the Ken Sharp interview, he would likely have still been writing music even if he didn’t do it as a career. Fortunately for RS fans, he still chooses to share his creations and the tour continues tonight.

When the game is done, the king and pawn go into the same wood box.

‘Snake King’ on the charts

Mr. Rick Springfield is back on the charts, this time with “The Snake King”!!

I’m not really clear on how the Billboard charts work, but I thought the new charts come out on Tuesdays so when it was midnight on the East Coast, I thought I’d take a look and there it was!

Here’s what I found:

Independent Albums

“The Snake King” peaked at #8 on Feb. 10 (I know today is Feb. 5, I don’t get it either, but that’s what it says.)

 

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Top Rock Albums

Peaked at #38 on Feb. 10

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Top Album Sales

Peaked at #40 on Feb. 10

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Whoo-hoo! Not bad for an album that was written over one weekend!

How does an artist get their song on the Billboard charts? Here’s Billboard’s answer:

How does an artist get their music on the Billboard charts?

Billboard publishes a host of charts that are individually or collectively based on key fan interactions with music, including album sales and downloads, track downloads, radio airplay and touring as well as streaming and social interactions on Facebook, Twitter, Vevo, Youtube, Spotify and other popular online destinations for music. These measurements are tracked year-round by Billboard and its data partners, including Nielsen BDS, Nielsen SoundScan and Next Big Sound. In order for artists and title to chart in Billboard, they must be among the higher ranked performers among the specific metric used to compile the chart. Specific methodologies can be found on each chart page on billboard.com and on the Chart Legend reference page on billboard.biz.

For past posts about RS on the charts, see “On the Charts” and “20 songs on the Hot 100 chart.”

The big day

Today’s the day: The release of “The Snake King.” With Rick Springfield being everywhere on my news feeds, it feels like the whole world should be aware of this by now. Between the live feed at the Grammy Museum and all the interviews, it’s been a fun few days! Tonight’s the launch party release. What a great way to celebrate Australia Day!

Here’s the new video for “Land of the Blind,” which was also released today:

Update later tonight:

Yay, got to go to the CD release party after all, thanks to a live-stream on Facebook of the performance! The songs sound SO great live. Such an incredible band. And that saxophone, wow! 🐍👑

First impression of ‘The Snake King’

Wow, I wasn’t expecting to be able to hear the whole CD today so it was a nice surprise that it premiered on Billboard.com this morning. I had to get through my list of things to do for work before I could sit down with this. I didn’t want to just stick it on in the background, but wanted to really listen. Here are my first impressions of the songs.

(Not that I think anyone really cares what my first impressions are or that they really matter to anyone but since this blog is like my journal of all things Rick Springfield, I am recording them here.)

In the Land of the Blind: Hi, Matty (the voice at the beginning, I’m pretty sure). Great start to the album. Has a catchy, upbeat vibe. I liked it the first time I heard him play it last week and I still like it. I like the ooh- la-la-las. Interesting concept about how the one-eyed man is king in the land of the blind. From a previous post: “In the Land of the Blind, the one-eyed man is king” is a quote attributed to Desiderius Erasmus, a Dutch philosopher, humanist and theologian and is explained online as “If surrounded by people less capable or able, someone who would not normally be considered special can shine.”

The Devil That You Know: Here’s the “I know what you want’ phrase from the guitar pics thrown out in the audience last year. Another really catchy tune, makes me feel like dancing. Biblical references, I can’t wait until I get the lyric sheet so I can look at the lyrics more carefully.

Little Demon: Such a familiar song already. Incredible guitar. As I said in a previous post, it sounds like another unrequited love/lust song but who is it about? We may likely never know because he said in interviews that he doesn’t know. I especially like the second part of the song, it’s so expressive and beautiful. I picture driving out on an open road in the desert. Not sure yet about what the “Hey, guess whose got a new boyfriend” at the end and the devil’s roar is about. Is it that the devil is popular with the ladies because they don’t know who he really is?

Judas Tree: One song after another sounds SO good musically. This sounds the most like the blues to me so far. These lyrics are pretty disturbing, very graphic. I don’t think I’ll be singing along to this one.

Jesus was an Atheist: This song we’ve heard live before over the past week so it’s interesting with all these added sounds. I think it’s an interesting approach to have it written with the viewpoint of someone who was a friend of Jesus. Did people consider him a “son of G-d” during his life or was it only after he died? I don’t know. I’m not Christian, but I thought he was raised Jewish, which the reference in the song alludes to (“in Temple back in Roman Palestine”). It made me think of a person who becomes famous and their childhood friends are like “Oh him? What’s the big deal?” because they knew him or her as a kid. Of course when you add religion to the mix though, it’s a much more sensitive issue.

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The Snake King: There’s the roar again. This song has a similar sound to “Miss Mayhem”on “Rocket Science.” Maybe “The Snake King” can be turned into a rock opera similar to The Who’s “Tommy.” This song is where they introduce the main character, “The Snake King.” RS is performing with a symphony orchestra these days so maybe a rock opera is next? Since he has experience both with EFX and as portraying Lucifer, he can star in it.

G-d Don’t Care: The opening sounds like the sound from a concert. He’s said in interviews that he often wonders where G-d is these days with all these horrible things happening in the world. The song also reflects some childhood experiences of “Little Ricky.” A very sad song. Hopefully he won’t ask fans to sing out loud if he plays this in concert like he did for “I Hate Myself.” This song definitely fits into the rock opera idea because this would be the devil singing to the masses.

The Voodoo House: These sounds before all the songs definitely give it a very theatrical feeling. I really like this song, such great sounds and so catchy. That Rick Springfield, he sure has great hooks. As I mentioned in a previous post, it sounds like another unrequited love/lust song, but this time addressing it with a voodoo doll concept. I like the hey-ya-hey-ya-ho hey-ya-hey-ya-ho’s.

Suicide Manifesto: This song had a physical effect on me – I literally felt heavy and drained after listening to it. It’s heartbreaking that he feels that way and that so many experience these feelings. It made me think of my sons and pray that they will never have those feelings.

Blues for the Disillusioned: Still reeling from the previous song so these lyrics sound really cynical and depressing. But what incredible lyrics. It’s hard to get it all at the first listen, but lots going on here, both lyrically and musically.

Santa is an Anagram: Now I can see why this song was placed here for comedic relief. A Chuck Berry sound with a Lucifer perspective.

Orpheus in the Underworld: This song, more than 10 minutes long, has a Bob Dylan vibe to it, with the sound, length and lyrics. Although it’s difficult to process all that’s happening here on the first listen, I look forward to delving deeper into this one, too.

So there you have it, “The Snake King.” So impressive, RS. WOW. Glad you’re getting so much great recognition for this one. I’m looking forward to learning what other fans think about it, too.

Here’s the link to “Rick Springfield shares provocative blues album” (exclusive premiere)

(There was also a great podcast that went live today: “Rock Solid” with Pat Francis – a great in-depth interview by a big RS fan.)